After attending the Chicago Art Institute and Academy of Fine Arts at the age of fifteen, Hogarth began an illustrious career in arts education, fine arts, illustration, advertising, and comics, and became recognized as one of the earliest creators of the graphic novel. Moving on to more complex lighting effects, Hogarth explains spatial light - how light and shade can create a sense of "near and far" environmental light - the effects of weather, time of day, and the changing of seasons textural light - how light reveals the surface qualities of forms that range from rough stone to silk and satin draperies transparent light - the effects passing through transparent materials like glass and water, and translucent substances like moving water or sailcloth fragmentation light - the disrupted light we see in such subjects as fire, rain, and flying snow radiant light - the intense light we see when we look into the light source itself, which may range from the sun to a candle flame and finally the various kinds of expressive light invented by the artist - such as the symbolic and mystic light of religious art, or the paterns of light and shade that convey a mood or a psychological state.īurne Hogarth illustrates every effect of light and shade with brilliant drawings in pencil, charcoal, carbon, pen and ink, and brush and ink, encouraging the reader to experiment with diverse drawing media.ĭynamic Light and Shade is an essential volume for everyone who draws and paints.īURNE HOGARTH (1911–1996), hailed as the “Michaelangelo of the comic strip,” was one of the most iconic cartoonists and influential arts educators of the twentieth century and remains so today. In these chapters Hogarth illustrates the effects of these different kinds of light on a variety of subjects and examines both natural and artificial light sources.
He then shows how the silhouette is transformed into three dimensions with the addition of minimal light - the highlight.įollowing these instructory chapters, Hogarth devotes a separate chapter to each of the given basic categories of light and shade: single-source light double-source light flat, diffused light moonlight and sculptural light. Hogarth begins with the simplist kind of light and shade, showing how a dark silhouette on white paper can communicate form and space. Here is the first book on this essential subject, the product of years of study by one of the world's great teachers of drawing and an artist of international renown, Burne Hogarth.
Hogarth also explains more complex light effects: how light and shade can create a sense of near and far how light is affected by weather, time of day, and the changing seasons how light reveals the surface qualities of forms the effects of light passing through transparent materials like glass and water and much more.Mastery of light and shade - rendered with accuracy and expressive power - is the key to three-dimensional form in drawing and painting. Natural and artificial light sources are examined, and the effects of the five types of light on a variety of subjects - faces, figures, landscapes, still lifes - are illustrated. There is a chapter devoted to each of the five basic categories of light and shade: single-source light double-source light flat, diffused light moonlight and sculptural light. He then shows how the silhouette is transformed into three dimensions with the addition of highlights. Hogarth demonstrates how a dark silhouette on white paper can communicate form and space.
Dynamic light and shade book how to#
This book, illustrated with drawings in pencil, charcoal, pen and ink, and brush and ink, shows how to interpret subjects in terms of light and shade.
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